chomiji: Sanada Yukimuka and two of his Juuyuushi - trusted warriors - with the caption All in the Family (family - juuyuushi)
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The sis-in-law (the one who's married to a minister) had a rotten week: her employer is transferring her, with almost no notice, to a different facility, and as she runs a senior center (basically, daycare for senior citizens), it means leaving behind not only staff, but also clients. So she decided at virtually the last minute to come down (with our nephew in tow) and see the Young Lady's play (our daughter is crewing her school's not-quite-spring musical, Beauty and the Beast) Friday night, because she thought it would cheer her up. This meant I had to clean up the guest room, which was wall-to-wall wrapping paper bits and rolls still, from the last installment of Xmas. But when I got home, there was an Amazon box waiting: I have Samurai Deeper Kyo 27, xxxHolic 11 [thanks, megan!!], and Takumi-Kun 2!

Saturday I was not feeling well - malaise about sums it up - and nothing much happened except meals out (lunch at Oriental East, which has great dim sum and forgettable service; dinner at Austin Grill, which is quite good for a chain) and the week's grocery shopping. The Young Lady was crewing again and had to eat leftovers for dinner. Oh well - it builds character!

Sis-in-law left early Sunday morning, and then sanada came to visit! We had brunch at Jackie's (retro American cuisine in a groovy-funky 1960s industrial setting) and talked manga nonstop. A good dose of fangirling makes one feel ever so much better. Then we went and saw the matinee of the play ourselves. Energy level good, one or two really good performances, scenery very uneven (the Beast's castle was very, very good, the village scenery was pretty lame), costumes pretty nice (althought the dinner plates were awful), and the special effects were much fun ... during the Beast's transformation at the end, petals fell from the catwalks onto our heads. They were meant to be rose petals, but all I could think of was (a) Sakura of Doom and (b) Nanao dumping baskets of petals over Shunsui. And the casting was the usual marvellous Blair High School racial mix: Oriental Belle, African American Gaston, Hispanic (I think) Beast, and so on. Dinner was what the Mr. calls "the meat place" - Brazilian BBQ.

Date: 2008-03-10 07:33 pm (UTC)
From: [identity profile] meganbmoore.livejournal.com
I think I'm sick and tired of most of the school-centric mangas regardless of genre, actually.

Personally, I still long for a Twelve Kingdoms: Sea of Shadow blog post(though, IIRC, you didn't like it quite as much as I longed for.)

Date: 2008-03-10 07:59 pm (UTC)
From: [identity profile] meganbmoore.livejournal.com
I'm waiting for Amazon to send me the second book.

Looking at my backlog, I do still follow a fair number of books with some focus on school, but most are like Fruits Basket where every once in a while, the manga-ka goes "oh yeah, and sometimes they go to school" and the couple I have waiting for me to start focus on clubs...one is about a girl who joins the anime and manga club because her boyfriend is an extreme otaku and she wants to save him from the dark side, and the other is a romantic comedy about an obsessive compulsive and a slob, set around classical music.

But a few years ago, most of my collection was high school shojo-centric, with books like SDK, BOTI, Basara, RuroKen and a few others that weren't mixed in that were my favorites...now I've realized that most of it annoys me(it did then, too, but I thought it was what I was supposed to want to read-that and yaoi because that's what all the female fans read) and now it's almost all historical and fantasy and hybrids.

Date: 2008-03-11 05:16 pm (UTC)
From: [identity profile] meganbmoore.livejournal.com
Until a little over 2 years ago, I thought there were only 2 female anime/manga fans in the world(1 I knew online, 1 I knew in person) who didn't hate almost every female character ever and look for slash in everything they picked up...if I mentioned I liked two male characters or that my two favorite characters in a series, it was automatically assumed that I slashed them(I remember mentioning two characters one time and then getting a 30 minute spiel about how they were so perfect for each other, and being mystified as one was married and-though we never met her and she was only mentioned briefly-obviously pretty respectful of and committed to his wife, and the other was one of those who was basically walking around with a "personal property of *insert*" tattoo on his forehead

That's interesting about Wallflower and Ouran. I started out liking them about equally, but I've largely lost interest in Ouran(I think because the last few volumes I read were heavy on the Haruhi/Tamaki implications, and as much as I love Tamaki, I just can't convince myself that she wouldn't kill him inside a week) and now that Basara and Night of the Beasts are through running their main stories in the US, it's probably a toss up between it and Fruits Basket for my favorite shoujo that's still coming out. I wonder if it may be how the two turn over all the normal tropes for shoujo? Ouran turns all the tropes on their head, but also giddily embraces and revels in them...Wallflower has all the same tropes, but done in a way to show just how absurd they are. The slash is a good example. Ouran is rather like Hana Kimi, Yuu Watase, and some Fruits Basket(Ayame, Shigure, Haru) where it makes it clear that the characters are straight, but tosses around the slash left and right(a lot of other shoujo, too, but those are the ones you're familiar with off the top of my head) for fun. Wallflower is actually heavier on the slash than Ouran in some ways, but also has a very strong "but if they caught you slashing them, they'd rip your throat out" undertone to it. (As a side note, based on comments, I'm pretty sure the mangaka is a yaoi fan, unless I missed a comment directly addressing it, it's just the tropes and stereotyping that she's playing with.) And it does that with everything: the fan girls, the pretty girl, the hot guy, the playboy, the girlish guy, the shy girl, the serious guy, the "hot guy brings shy girl out of shell" stereotype, etc. If I'd read Wallflower the first year or so I was reading shoujo, I probably would have run from it, thinking I was being told there was something "wrong" with liking shoujo, but encountering it when I was starting to get tired of shoujo, it was basically the best thing ever.

Now, Nana? Came highly recommended to me, too. I struggled through about 3 volumes...thought rocker Nana and the characters from her old band were pretty cool, wanted to strangle girly Nana and do extremely unpleasant things to her boyfriend...even before he cheated(and he actually chose a girl even more annoying to cheat with!) I've actually had a LOT of manga recced to me-even in the last year or so-that I could tell just by how people were talking to me about it that I'd despise it, and they would tell me how I'd love it ever so much. Then again, they're some of the same ones who told me I'd like the Goong live action, and that was 24 hours or torture for me, and essentially proof that, while I like "alpha jerk and sweet girl" a lot in certain cases, most of the time, it's just "alpha bastard and spineless doormat, but it's ok because he has angst as an excuse."

Basilisk...*scowl* I had expectations. Saw the movie, thought it was pretty decent(the guy playing the main guy pretty much sleepwalked his way through it, but is a good enough actor that he still did well) and, since I liked the plot's take on "enemies as lovers" and had been told the manga was much better...and it was just fight-rape-porn. I'm not sure I would have realized, based on the first two volumes, what the central plot was meant to be if I hadn't known beforehand. I looked at the last volume when it came out and it never got better.

Date: 2008-03-12 09:04 pm (UTC)
From: [identity profile] meganbmoore.livejournal.com
As far as, strictly, you and I on slash, based on the conversation in the Comment Thread of Doom(and trying to avoid touchy subjects altogether), I suspect a lot of it boils down to one of us having primarily positive experiences in terms of female persence and power over us growing up, and the other had more negative experiences. As a result, I seem to be much more comfortable with female characters in general than you(I've noticed that you tend to shy away from discussion about female characters a lot in general, not just in terms of slash.)

My problem with slash is a purely feminist one, and is wholly limited to slash where there's canon het for one character: it takes a part of the female's role in the story, reduces or displaces her influence on the story, and gives it to a male. Any time I encounter anything that reduces, overlooks, or trivializes a female's role in the story, I react viciously and violently, and have to subdue most of my reaction, even if I hate the female in question. It has nothing to do with slash itself(if I disliked slash, there are a lot of things I wouldn't read now or wouldn't have in the past if I had issues with slash in general) and everything to do with female characters and roles. (And has nothing whatsoever to do with whether or not I like and/or respect a person.)

Date: 2008-03-12 11:51 pm (UTC)
From: [identity profile] meganbmoore.livejournal.com
Hmm...I've just noticed that, in conversations on manga in general, you seem to mention a female character if one comes up, then quickly turn the conversation to the male characters connected to the female character. The only real exceptions that I've noticed seem to be Shaga and Kousuke(unless we count Akari, but even though I think of Akari as female myself, she is technically a male.) (And I'm not including characters we mutually dislike, such as Tokito and Akito.)

I don't really seek my RL support system, male or female, a lot either, and I grew up close to my mother and we still are close, even though we somewhat drive each other crazy(shall we simply say that a fantasy loving bookworm who's wardrobe only very grudgingly has anything besides jeans and plain shirts, and who's never had a serious romantic relationship at 27 simply is not what she imagined when she had a 2 year old with curly, strawberry blonde hair who loved pink dresses?) I'm actually pretty introverted and solitary in real life.

I don't really have many characters who would be peer level with me, either...I'm younger than you, but still a decade(or a little more) older than most female manga leads(even Rukia, who's far older than either of us, is still written to be read like a 16~ girl.) I don't really need to connect with characters, just to like and understand them.

At this point, I'd have to reread Wheel of the Infinite to properly blog it, and I need to reduce the backlog some, first. I am trying to get ahold of Death of the Necromancer and Riddlemaster of Hed, though, and I'll be blogging those and the other Ile-Rein books when I read them. Ravenna was much more interesting than Kade, but I thought Kade was fun, if maybe a little full of herself.
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Date: 2008-03-13 06:36 am (UTC)
From: [identity profile] meganbmoore.livejournal.com
I don't think what's been coming up means that women should like all female characters(I certainly don't) but rather is referring to the idea that women tend to automatically shy away from female characters and automatically assume the males and their relationships and storylines are the more interesting ones, and paying less attention to the females because of that assumption, and I do think that spawns a lot of slash. I also think that many women are uncomfortable with women for whatever reason. It's something that I see with both slash and het fans. It likely is from generations of our being told that men and their relationships are more interesting and important than women and their relationships, but instead of trying to break free of that, it's just reinforced by most sides of fandom. In that context, I do think there's something subconsciously self-hating to it. The thing is, anywhere I look, I can literally trip over male relationships that are important...I have to literally hunt for anything that bothers to give importance to a relationship between females...even mother/daughter is treated as far less important than father/son, mother/son or father/daughter. Without a female presence-romantic, maternal, platonic, mentor, whatever-something has to be amazingly fascinating to hold me. Why? Because fiction is drowning in guys and guy relationships. Even most shoujo ends up being more about the guys than about the girl. Decent female characters, especially in something that actually gives them importance, is a lot harder to find.

But yes, slashing does often come across as self-hating to people who don't slash, both male(even moreso there, based on RL experience) and female. Not strictly because of the "making a male you're attracted to even more unavailable to you" but because of the "females removing females from the equation" aspect.
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Date: 2008-03-13 08:44 am (UTC)
From: [identity profile] meganbmoore.livejournal.com
Well, there's a big difference between "people seem to only think certain kinds of female characters are strong or interesting or cool" and "all female characters are great and should be loved." What I seem to see a LOT is that a character has to be of the Starbuck variety(warrior, lots of attitude) to be a strong female character, and that for there to be good gender politics and/or gender dynamics, the female needs to be the dominant force. This is something I disagree with a lot, partly because it strays close to "like a man"(in fact, I initially had a very strong and negative kneejerk reaction to Starbuck when I watched a little bit of BSG, because they used a lot of "like a man" shortcuts with her in the miniseries) and also because I see a lot of people automatically dismiss characters not like that as "ornamental" or "dull."

The most interesting female character I've seen in years is probably Madam Jami in Emperor of the Sea(the korean drama with the love triangle I told you about a while back.) She was a noblewoman and a merchant (and a villain in the series) and became one of the most powerful people in Shilla and China, including rebuilding herself from the ground up at one point, and she did so with sheer cunning and ruthlessness. The heroine was her protegee who despised her methods, and eventually broke free of her and set out to prove(and did) that you could become just as powerful without sacrificing your morality. Their rivalry(which was also based on a mother/daughter love, and Jami had raised Jung Hwa for over half her life and kept her with her when most other girls she fostered had been sold off as mistresses) ran parallel to that of the hero and his enemy/former friend/romantic rival, and was given almost as much importance, and she was consistently the hero's greatest threat because of her intelligence and ruthlessness. In the end, when she had been defeated, the captain of her guard, who had served her for almost 20 years, confessed his love for her, and it wasn't until then when she saw him die defending her that she realized she also loved him. It is, of course, not exactly an uncommon plot, but the actual handling and character are compelling, and she's pretty much the most popular character in the series. Of the four most important women in the series, only one is a warrior, and while not as compelling as the two main females, she's still strong and interesting.

I'm not going to be turned off by all males/no females exactly, but if given a choice between something that sounds interesting but has no apparent female presence, and some that sounds interesting that does, I'll go with the thing that has both males and females. And I only recognize the first and last two of those names(I think I would have clicked really solidly with Utena if she hadn't been so hung up on Anthy, who rubbed me wrong from the start.)
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Date: 2008-03-13 04:22 pm (UTC)
From: [identity profile] meganbmoore.livejournal.com
And now the warrior women are pretty much all you can find. A lot of them also seem to be more talk than anything else, and there seems to be a deemphasis on smarts that don't involve fighting(one thing I did like about Xena was that Xena was smart and crafty all around, and Gabrielle was a extreme thinker who learned how to find.) One of the reasons I took to Sam Carter in Stargate so well is because, while she's just as good as the guys in a fight, the emphasis has always been on the fact that she's a genius and a fast and creative thinker, and while she's a tomboy, she's still very, very much a girl.

I took to Utena in the opening for the same reason(and I also took to Juri and Touga right away), but Anthy struck me not only as annoyingly doormattish, but also struck me as very manipulative from the start, and using Utena to her own ends, and as the series continued and Utena was more and more hung up on her, I started to get annoyed with her. The fact that the series just got harder and harder to follow after the first arc didn't help.
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Date: 2008-03-14 05:27 pm (UTC)
From: [identity profile] meganbmoore.livejournal.com
"This might seem really odd, given that I'm a big bag of emotions. But girls and women usually think I'm much weirder than guys generally do, and it hurts my feelings. In everyday life - on the job, dealing with my child's school, at the synagogue -= where I'm likely to encounter 99% non-fannish people, I can rarely be myself, and it's worst around other women. I have had conversations go totally cold - the other woman hears that I'm more likely to be playing with my computer or reading fantasy to watching TV or taking a family bike ride, goes "Oh - really?", changes the subject, and within another sentence or two finds reason to go talk to someone else. Guys, on the other hand - even fairly mainstream ones - will ask about the computer or tell me some SF/fantasy TV show or movie they like or at least say "Hey, my officemate is really into that.""

The thing is that (except for the child part) that actually is pretty much my experiences...it wasn't until college that I met anyone who who didn't think anyone who read SFF(outside of Tolkein and C.S, Lewis) was a weirdo, and girls who are into it are definately bigger weirdos here. For that matter, I've only ever met a small handful of people (all guys) who don't think a girl-esp. one in her 20s, now-reading comics is a complete freak. It's just that I don't remotely see how it results in an alienation from female characters, especially characters like Yuya or Tohru(or Orihime or Noi from Wallflower) who would be the polar opposite of that (in fact, it probably is why I latch onto characters like them, or like Rin or Sunako, who stand up for them and theirs, and can't tolerate it when they see someone letting themselves get pushed around or talked down to.) They're more like girls I would want to know, or would want to be.

Also, even though I try very, very hard not to read it that way, it almost comes across as "girls were mean to me, so I'm mean to/ignore girls in fiction."

There's also this idea I stumble across all over fandom, both het and slash, that female characters are there to be "tolerated" and have to "prove" themselves, but male characters are automatically liked or given precedence to, and have to prove themselves unworthy to be viewed in the same vein as that females are automatically viewed in. No, it's not universal, but it does seem to be the dominant practice.

You've only ever mentioned Rin to me once in passing, saying that if you had an FB OTP, it was Rin and Haru, but mostly talked about Yuki and slash in that comment, and about how Yuki/Machi bored you(and it is boring, but at least it gives him something to do besides being the third wheel in Kyo/Tohru.)

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Date: 2008-03-10 09:08 pm (UTC)
From: [identity profile] meganbmoore.livejournal.com
12k is essentially the prefect example of how you take someone weak and whiny and annoying and turn them into something awesome. Youko int he first few volumes is about the most annoying thing to ever exist, yet, by the end of the anime, she's just aboutthe best thing ever.
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Date: 2008-03-10 09:57 pm (UTC)
From: [identity profile] meganbmoore.livejournal.com
LOTS of actual character growth all around. Well, notreally Keiki...he does try, though.

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