I've actually been mainlining new (new to me, anyway) fiction like nobody's business. I had a lot queued up for the vacation last month, and for various reasons, I didn't get to it. Now I have. Some quick takes:
The Stone Sky by N.K. Jemisin is everything most reviewers have said. Very satisfying ending to a very dark, sad series. Happy was not going to happen, but hopeful *did*, and beautifully so. It was a positive ending that was most definitely earned. And I really loved the world-building all over again.
City of Miracles by Robert Jackson Bennett also ended its series well, if a trifle oddly. Alas, most of my favorite characters didn't survive. There were nods to all sorts of other works, including rather a lot of Terry Pratchett, I realized after finishing the book.
Murderbot: All Systems Red (novella) by Martha Wells was a lot of fun, about a snarky, introverted android that has circumvented its "restraining bolt" programming and becomes something of a sleuth+superhero on behalf of its humans. There are already three more Murderbot stories in the pipeline. Yay!
The Furthest Station (novella) by Ben Aaronovitch at first disappointed me because I didn't realize it was a novella. But viewed in that light, it was an enjoyable brief addition to the Peter Grant/Rivers of London series. The identity of the cute little tyke whom Peter encounters was absolutely no surprise to me, though.
The Gates of Tagmeth by P.C. Hodgell was OK. These most recent Kencyrath books have rather disappointed me. I respect Baen for acquiring and continuing this series, and even attempting to obtain suitable cover art in the last couple of volumes (although crap, I still think that even a casual persual of DeviantArt would turn up better choices), but holy crud, a good editor would have helped the last few a lot, I think. And Baen is not the publisher to supply that. Jame and her fated love still generate no heat that I can discern, sadly, and I wish PCH hadn't matched up Kindrie as she did. I like both characters, but not together. This makes me think of the manga Fruits Basket, where the mangaka seemingly decided that everybody needed to be matched up at the end, regardless of whether it made any sense. Also, poor Lyra is becoming a pawn of fate/God's chew-toy more than is necessary, IMO.
What Did You Eat Yesterday? vol. 12 by Fumi Yoshinaga continues Ken and Shiro's low-key relationship and Shiro's cookery. This volume seemed to have less melodrama/tension than the last few (nothing dire happens to either partner's family, for example), although someone makes Shiro a very interesting proposal ... and the results are both very funny and very realistic.
Ooku vol. 12, also by Fumi Yoshinaga surprised me because ... they solved the problem of the redface pox. And yet it is not the end of the series! I do have to say that in retrospect, I feel a little ... ticked off? that the solution comes under the reign of the first male shogun in ages (although his mother thinks she is still in control of things) and by the efforts of an exclusively male team (although they all constantly acknowledge the inspiration of the late lamented cross-dressing genius Hiraga Gennai, who was cis-female). That might not be a worthy way to feel, but that's how it is.
The Brightest Fell, which is the latest installment of Seanan McGuire's October Daye series. Speaking of people who are chew-toys of the divine: Toby continues to be messed with physically and magically, over and over. I do have to say that one of the events had me going "Oh, no, not again."